Utah Jazz 2016-17 season review: Alec Burks

Feb 6, 2017; Atlanta, GA, USA; Utah Jazz guard Alec Burks (10) drives past Atlanta Hawks forward DeAndre Bembry (95) in the third quarter at Philips Arena. The Hawks won 120-95. Mandatory Credit: Brett Davis-USA TODAY Sports
Feb 6, 2017; Atlanta, GA, USA; Utah Jazz guard Alec Burks (10) drives past Atlanta Hawks forward DeAndre Bembry (95) in the third quarter at Philips Arena. The Hawks won 120-95. Mandatory Credit: Brett Davis-USA TODAY Sports /
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Jan 28, 2017; Salt Lake City, UT, USA; Utah Jazz guard Alec Burks (10) after a call in the third quarter against the Memphis Grizzlies at Vivint Smart Home Arena. The Memphis Grizzlies defeated the Utah Jazz 102-95. Mandatory Credit: Jeff Swinger-USA TODAY Sports
Jan 28, 2017; Salt Lake City, UT, USA; Utah Jazz guard Alec Burks (10) after a call in the third quarter against the Memphis Grizzlies at Vivint Smart Home Arena. The Memphis Grizzlies defeated the Utah Jazz 102-95. Mandatory Credit: Jeff Swinger-USA TODAY Sports /

Weaknesses

Regardless of his struggles this past season, Burks isn’t a great stylistic fit overall for the way the Jazz have been operating under Quin Snyder.

Utah plays at a methodical pace, eschewing transition opportunities in favor of low turnover numbers and efficient offense, while Burks excels playing in a faster-paced, more chaotic environment.

In college at the University of Colorado, over 21 percent of his possessions came in transition, while only 15 percent of his offense was derived on fastbreaks last season with the Jazz.

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This fact alone doesn’t necessarily manifest itself as a negative, but it does have the consequence of preventing one of his greater strengths from taking effect.

More specifically, there is the significant issue of Burks’ inability to finish at the rim. Inside the restricted area last year, he converted just 40.3 percent of his attempts, which ranked among the worst marks in the entire league.

His lack of body control contributes to his ability to draw fouls, but it also hamstrings his finishing prowess, as he’ll resort to crazy body contortions as opposed to smarter attempts when presented with resistance inside the paint.

There’s a large divide between what Burks is ideally and what he showed himself to be last year. The difference of these two versions of himself will determine whether or not he has a future with the Jazz or, in a broader sense, a significant role to play at all.